I got the chance to see Olatunji live when he visited UGA. One of the things he talked about was the 4/4 rhythm and how it would never die because it's based on the heartbeat- the heart has four chambers. The 4/4 is the most human of all time signatures and that's why it's the most popular. The audience in the UGA chapel was captivated by this amazing man.
His album, Drums Of Passion, remains one of the most heavily sampled records in the tribal house genre. If you have listened to a lot of tribal house, listen to Drums of Passion and you'll recognize many of the sounds and patterns. Olatunji combines spirituality and passion in his music like no other.
Saturday, January 26, 2008
Sunday, January 20, 2008
Torq/Xponent Review
edit: I have to express reservations about Torq. It has been a very long time since the torq software got an update. To the point where I wonder if they are working on it anymore. In light of dj software companies like Traktor and Serato giving their customers feedback and regular support updates, Torq is feeling a bit abandoned. I am not saying that my Torq/Xponent doesn't work- it does. Yet still they have not addressed the damning database issue. If you are looking for a dj solotion, you may find greater support with a company that tends to its software a bit more regularly. That said, there is still support on the Torq forum via the user base. It's not dead, but new adopters to digital dj gear may appreciate a bustling community and a company that shows more care and involvement in their product. 26 April 10
I recently submitted my review of the Torq/Xponent DJ rig online. Check it out.
I've used it for exactly one gig so far. No problems to report. I did the recent free upgrade to 1.0.6 and it's cool. I guess my favorite thing is having a warning box pop up if you try and load a track into a playing deck. In the past, if you did that by mistake, it would immediately kill the song playing and load the new one. That's a huge yikes factor if you're playing for people. So it's a huge improvement. Also, their browser is just well, kinda crappy. So the work around is using i-tunes (if you're on a mac which I am.) And it seems like the speed of the browser is better. I remember for my first gig out with it and the browser would hand for 6 or 7 seconds when searching. Not a huge deal at home...but at a gig that kind of lag is a real deal killer. And, for me- so far, this new upgrade solved that. So far so good.
My motive for switching from a traditional set-up was needing to get a better grip on the music. I most always used whatever equipment the club had. (Well, when I first started, I bought tech 1200's. But, all the clubs already had those. I just wanted 'em.) Since then, I switched to playing CDs and pretty much standard on the Pioneer CDJ1000's. Although I did use Pioneer CDJ100s (now a CDJ200 but very similar) and a Denon dual deck with no problems. But after burning hundreds of CDs the music started to get hard to organize, and I really get tired of burning CDs. Wasting plastic and adding to a more and more unmanageable amount of tracks. Searching for that one track on a CD you burned 4 years ago is ridiculous. I like a good search engine. I've grown so used to it at home, I want it when I'm gigging.
Although a lot of DJs like to use turntables these days- for the most part they are not using real analogue vinyl. They are using vinyl with digital timecode that triggers files from a hard drive. So you aren't getting the 'vinyl' sound at all. It may look old school and 'keeping it real' but it isn't the same, at all, as playing real vinyl. Plus, you end up carrying turntables and a mixer around to play digital files. That seems silly to me. But I am not a 'turntablist' - don't scratch or do tricks on vinyl. I kinda think the digital tricks are cooler. Anyway, that's why an all-in-one solution like Xponent appeals to me. Ease and power.
Xponent is not ideal. First of all, it's all hinged on a computer. I don't have to tell you about a computer acting funny. Second, it's more 'plasticky' than I'm used to for gigging. Sure, you can the Allen & Heath Xone 3D and get a solid piece of gear. But it's very expensive. Horse sense just won't let me pay so much for something that is basically a MIDI controller and sound card. This year at NAMM, a couple of companies have followed this trend. Serato/Numark is trying to keep their digital lead by offering a similar unit to Xponent, but with a better build quality and slightly better audio specs. Stanton too. No doubt more will follow.
One thing about the whole Torq Xponent thing that appeals to me is that M-Audio is owned by Digidesign. I just don't think they're gonna screw around once they decided to get involved. Already Torq has some features that are ahead of everybody else. Syncing up with Ableton Live and VST effects is huge. It will give DJ's (who want it) a full production studio- in the booth. Overkill? Sure. But we want it all and we want it now, don't we? this year the DJ equipment thing will heat up. If you can afford to wait, wait until the new products announced at NAMM hit the streets and get real feedback.
I recently submitted my review of the Torq/Xponent DJ rig online. Check it out.
I've used it for exactly one gig so far. No problems to report. I did the recent free upgrade to 1.0.6 and it's cool. I guess my favorite thing is having a warning box pop up if you try and load a track into a playing deck. In the past, if you did that by mistake, it would immediately kill the song playing and load the new one. That's a huge yikes factor if you're playing for people. So it's a huge improvement. Also, their browser is just well, kinda crappy. So the work around is using i-tunes (if you're on a mac which I am.) And it seems like the speed of the browser is better. I remember for my first gig out with it and the browser would hand for 6 or 7 seconds when searching. Not a huge deal at home...but at a gig that kind of lag is a real deal killer. And, for me- so far, this new upgrade solved that. So far so good.
My motive for switching from a traditional set-up was needing to get a better grip on the music. I most always used whatever equipment the club had. (Well, when I first started, I bought tech 1200's. But, all the clubs already had those. I just wanted 'em.) Since then, I switched to playing CDs and pretty much standard on the Pioneer CDJ1000's. Although I did use Pioneer CDJ100s (now a CDJ200 but very similar) and a Denon dual deck with no problems. But after burning hundreds of CDs the music started to get hard to organize, and I really get tired of burning CDs. Wasting plastic and adding to a more and more unmanageable amount of tracks. Searching for that one track on a CD you burned 4 years ago is ridiculous. I like a good search engine. I've grown so used to it at home, I want it when I'm gigging.
Although a lot of DJs like to use turntables these days- for the most part they are not using real analogue vinyl. They are using vinyl with digital timecode that triggers files from a hard drive. So you aren't getting the 'vinyl' sound at all. It may look old school and 'keeping it real' but it isn't the same, at all, as playing real vinyl. Plus, you end up carrying turntables and a mixer around to play digital files. That seems silly to me. But I am not a 'turntablist' - don't scratch or do tricks on vinyl. I kinda think the digital tricks are cooler. Anyway, that's why an all-in-one solution like Xponent appeals to me. Ease and power.
Xponent is not ideal. First of all, it's all hinged on a computer. I don't have to tell you about a computer acting funny. Second, it's more 'plasticky' than I'm used to for gigging. Sure, you can the Allen & Heath Xone 3D and get a solid piece of gear. But it's very expensive. Horse sense just won't let me pay so much for something that is basically a MIDI controller and sound card. This year at NAMM, a couple of companies have followed this trend. Serato/Numark is trying to keep their digital lead by offering a similar unit to Xponent, but with a better build quality and slightly better audio specs. Stanton too. No doubt more will follow.
One thing about the whole Torq Xponent thing that appeals to me is that M-Audio is owned by Digidesign. I just don't think they're gonna screw around once they decided to get involved. Already Torq has some features that are ahead of everybody else. Syncing up with Ableton Live and VST effects is huge. It will give DJ's (who want it) a full production studio- in the booth. Overkill? Sure. But we want it all and we want it now, don't we? this year the DJ equipment thing will heat up. If you can afford to wait, wait until the new products announced at NAMM hit the streets and get real feedback.
Sunday, December 23, 2007
Ableton Live 7.0 Released
Ableton has just released version 7.0 of their wonderful music software. There's a handful of top grade software programs out there, Live is one of them. For DJs, it's the killer app and is causing my love affair with Sony Acid Pro to wither. On stage or in our studio, Live will give you a lifetime of enjoyment. Just check out how much the people that make this software love it. I think their passion translates directly into your user experience.
Thursday, December 20, 2007
JazzMutant Lemur
If you think the Tenori-On is cool, then check out the Jazzmutant Lemur! It's the best live controller ever made, with bongo drums coming in at a close second. If you have a spare $2,999.00, Robotspeak will send one to you. Or you could have them send one to me.
See JazzMutant's site for the nitty gritty.
See JazzMutant's site for the nitty gritty.
Tenori-On
The Tenori-On instrument/controller. Designed by Yamaha's Yu Nishibori. Doesn't it look cool?!
Sunday, December 16, 2007
Bearforce1 "Christmas Is Here"
We wish you a hairy Christmas, courtesy of the fine fellas of Bearforce1.
Saturday, December 8, 2007
Mel Cheren, remembered.
Mel Cheren has passed away. Founder of the quintessential 70's dance/disco label, West End Records, Mel took his love and understanding of dance music to heights few people can match. Lucky for us, he shared his experiences in the classic book: My Life and the Paradise Garage (Keep On Dancin'). A friend gave me this book in the late 90's and I found it a fascinating, personal account of the birth (and demise) of the disco era. Give yourself a treat and check it out. His West End label was THE pulse of dance music in the 70's. And today, the label is alive and well, offering up it's catalogue to the new generation of music lovers on sites such as Beatport and, naturally, the West End site. Thank you Mel for your passion and productivity. We will, Keep On Dancin'!
Suddenly I'm inspired to do a early style set (before the show tonight) of West End classics and disco house for the cocktail hour warm-up period. Please I beg ya don't be askin' for Flo Rida, ya oughtta know by know I don't play that schtuff.
Suddenly I'm inspired to do a early style set (before the show tonight) of West End classics and disco house for the cocktail hour warm-up period. Please I beg ya don't be askin' for Flo Rida, ya oughtta know by know I don't play that schtuff.
Friday, November 30, 2007
Strike It Up - The Writer's Strike
They need to start a website to help fund the writers while on strike.
Until then, it's good to know exactly why they are fighting back.
Until then, it's good to know exactly why they are fighting back.
Word to self promoting whores
Listen. If you're a dj and promoting yourself on the web, don't post remixes done by other artists and then not credit those remixers. And then take credit for 'your mix' by omitting the credit where credit is due. It's called lying by omission, ya tacky bitches. Show some respect for the people who give you the music to make you oh so hot.
It's no secret musical artists are having a hard time making money these days. The least you can do is give proper credit to them. If you are a fan of dance music at all.
I've been sitting on this sentiment for too long now. Ahhh, all better.
It's no secret musical artists are having a hard time making money these days. The least you can do is give proper credit to them. If you are a fan of dance music at all.
I've been sitting on this sentiment for too long now. Ahhh, all better.
Kristine W "Walk Away"
Finally I've found a proper vid for Kristine's latest hit. Tony Moran on the remix.
Starkillers "Discoteka (Kobbe & Austin Leeds Mix)"
While trying to find the video for Starkillers newest single, "Big Base," I stumbled on this well done amateur video for Starkillers biggest track, "Discoteka." Nice one!
ADULT. "I Feel Worse When I'm with You"
Jeez this gives me a headache. I'm sorry for posting this already. but, it's nutz so here ya go. No I will not play this in a club LOL. You're welcome.
The Pipettes - Your Kisses are Wasted On Me
Have you heard about the UK retro-darlings, the Pipettes? Damn the chorus is hooky.
Benny Benassi "Who's Your Daddy"
This vid may require you to verify you're old enough to see naughty things. Don't get too excited, it's not so naughty. At least not compared to the usual webfreak fest.
Remixes of this one are hot!
Remixes of this one are hot!
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