MARIAH CAREY & LEGACY RECORDINGS
CELEBRATE 2009 HOLIDAY SEASON WITH NEW DANCE MIX OF "ALL I WANT FOR CHRISTMAS IS YOU"
1) Mariah Carey "All I Want For Christmas Is You" (Mariah's New Dance Mix) - 4:59
2) Mariah Carey "All I Want For Christmas Is You" (Mariah's New Dance Mix Radio Edit) - 3:35
3) Mariah Carey "All I Want For Christmas Is You" (Mariah's New Dance Mix Extended Version) - 6:42
4) Mariah Carey "All I Want For Christmas Is You" (Original Version)
Mariah's New Mix of Perennial Holiday Classic Available Through All Major Digital Service Providers On November 23, 2009
Saturday, November 21, 2009
Angie Stone: Unexpected
ANGIE STONE EXPECTS THE ‘UNEXPECTED’ ON NOVEMBER 23rd
R&B Star’s New Album is 2nd for Legendary Soul Label Stax Records
R&B/soul luminary Angie Stone has never shied away from pushing her own limits and the limits of her music. With each new recording, with each next step in her career, she has consistently hit the world with something it didn’t see coming. Her new album, Unexpected, set for release on November 24th from Stax Records (a division of Concord Music Group), encompasses a diversity of styles and influences that Stone has distilled over the years – rap, R&B, soul, funk and more – and weaves them together in a narrative that addresses life’s ups and downs, but ultimately strikes a redemptive chord.
“I wanted this album to be something different,” says Stone, whose 2007 Stax debut, The Art of Love & War, was her first album to top Billboard’s R&B/hip-hop chart. “I didn’t want to make the kind of neo-soul record I had made in the past. That would have been repetitive.”
But in the midst of mapping this new direction, Stone encountered a shock that even she didn’t see coming. Mid-way through the recording process, her father – Stone’s spiritual anchor and creative mentor since her childhood in South Carolina – passed away very suddenly. “It was totally unexpected,” she says, “and that’s where I came up with the title of the album. I really didn’t think I could finish the project, because I was so grief stricken…I had to do a lot of the vocals a second time. I had to lean on my dad’s wisdom and energy, and try to be open to what he would have wanted me to do in order to finish the songs. I can say that his spirit was literally there in the studio with me, and I’m grateful for that.”
Out of this tragedy comes Unexpected, the next step forward for Stone, a stretch beyond whatever limits – real or perceived – she might have been facing when the project began. From the get-go, the quick and funky title track – with its backbeat inspired by Sly Stone’s 1971 hit, “Family Affair” – warns the listener to “Prepare yourself for just about anything.” Equally energetic is the album’s first single, “I Ain’t Hearin’ U,” a song that decries rumor and gossip. The track is co-written by vocalist and songwriter Juanita Wynn, Stone’s collaborative partner for several years.
“I Don’t Care” is a proclamation of self-acceptance and self-assurance, based on sound spiritual advice that Stone received early on: “My dad always used to tell me, ‘Don’t worry about what people say. They can’t change anything. Whatever God wants for you is most important.” “Tell Me” settles into a techno groove wherein the dual vocals by Stone and Wynn – artfully co-produced by Kerrim “Ikon” King and Fitzroy “Art Teacher” Reid – create a wall of sound that’s augmented by an edgy delivery from rapper Dose.
“Think Sometimes” is a poignant ballad inspired in large part by Stone’s late father. “It’s funny how people can slip away so fast, and suddenly they’re in your past,” she says. “You wonder about what you could have – or should have – done differently. It’ll make you think sometimes.”
Unexpected represents a turning point for Angie Stone – not just in her career, but in her life and her world view. And while the losses that triggered the transformation may be painful, the artist and her work are stronger because of them. “This album is something that no one would have anticipated coming from me. My father always encouraged me and everyone else he knew to reach out and make a leap of faith, and that’s exactly what I’ve done.”
angiestoneonline.net
R&B Star’s New Album is 2nd for Legendary Soul Label Stax Records
R&B/soul luminary Angie Stone has never shied away from pushing her own limits and the limits of her music. With each new recording, with each next step in her career, she has consistently hit the world with something it didn’t see coming. Her new album, Unexpected, set for release on November 24th from Stax Records (a division of Concord Music Group), encompasses a diversity of styles and influences that Stone has distilled over the years – rap, R&B, soul, funk and more – and weaves them together in a narrative that addresses life’s ups and downs, but ultimately strikes a redemptive chord.
“I wanted this album to be something different,” says Stone, whose 2007 Stax debut, The Art of Love & War, was her first album to top Billboard’s R&B/hip-hop chart. “I didn’t want to make the kind of neo-soul record I had made in the past. That would have been repetitive.”
But in the midst of mapping this new direction, Stone encountered a shock that even she didn’t see coming. Mid-way through the recording process, her father – Stone’s spiritual anchor and creative mentor since her childhood in South Carolina – passed away very suddenly. “It was totally unexpected,” she says, “and that’s where I came up with the title of the album. I really didn’t think I could finish the project, because I was so grief stricken…I had to do a lot of the vocals a second time. I had to lean on my dad’s wisdom and energy, and try to be open to what he would have wanted me to do in order to finish the songs. I can say that his spirit was literally there in the studio with me, and I’m grateful for that.”
Out of this tragedy comes Unexpected, the next step forward for Stone, a stretch beyond whatever limits – real or perceived – she might have been facing when the project began. From the get-go, the quick and funky title track – with its backbeat inspired by Sly Stone’s 1971 hit, “Family Affair” – warns the listener to “Prepare yourself for just about anything.” Equally energetic is the album’s first single, “I Ain’t Hearin’ U,” a song that decries rumor and gossip. The track is co-written by vocalist and songwriter Juanita Wynn, Stone’s collaborative partner for several years.
“I Don’t Care” is a proclamation of self-acceptance and self-assurance, based on sound spiritual advice that Stone received early on: “My dad always used to tell me, ‘Don’t worry about what people say. They can’t change anything. Whatever God wants for you is most important.” “Tell Me” settles into a techno groove wherein the dual vocals by Stone and Wynn – artfully co-produced by Kerrim “Ikon” King and Fitzroy “Art Teacher” Reid – create a wall of sound that’s augmented by an edgy delivery from rapper Dose.
“Think Sometimes” is a poignant ballad inspired in large part by Stone’s late father. “It’s funny how people can slip away so fast, and suddenly they’re in your past,” she says. “You wonder about what you could have – or should have – done differently. It’ll make you think sometimes.”
Unexpected represents a turning point for Angie Stone – not just in her career, but in her life and her world view. And while the losses that triggered the transformation may be painful, the artist and her work are stronger because of them. “This album is something that no one would have anticipated coming from me. My father always encouraged me and everyone else he knew to reach out and make a leap of faith, and that’s exactly what I’ve done.”
angiestoneonline.net
Shakira: She Wolf
SHAKIRA
"I'm a little more in touch with my desires," Shakira recently said, "and a little more empowered, or encouraged, to satisfy those desires and set them free."
One of the few truly global superstars of our time, Shakira is extending her reach with her eighth studio album, SHE WOLF. The daring, innovative project is the long-awaited follow-up to 2005's groundbreaking one-two punch comprised of Fijacion Oral, Volume 1 and Oral Fixation, Volume 2, a pair of albums which combined to sell over 12 million copies worldwide and secured the young Colombian-born singer's place among pop music royalty.
SHE WOLF reveals, however, that despite her triumphs on the charts, and her increasingly ambitious off-stage role as an activist and philanthropist, Shakira's heart has stayed close to the dance floor. Co-writing and producing this album, Shakira worked with a diverse range of superstar producers and songwriters—most notably, Pharrell Williams and the Neptunes, but also Wyclef Jean, Timbaland and John Hill —she has created an irresistible set of deceptively rich, club-ready tracks.
"My biggest motivation was to make an album that people could just have fun with, and forget about their troubles," she recently said. "Now I can use music for the purpose it's created for—to amuse and entertain people, and also express other feelings, but things that are more personal."
Her musical style can be called “pop fusion,” characterized by her eclectic tastes, from Middle Eastern beats to heavy metal guitars—and new songs like the slinky, percussive "Long Time" or the rocked-up kiss-off "Mon Amour" illustrate her commitment to remaining a sonic omnivore. It's a long way from the folk-tinged intro of "Gypsy" to the full-on disco breaks of "Men In This Town" or her work with Hossam Ramzy of Led Zeppelin’s Kashmir fame arranging the Egyptian orchestra on “Why Wait,” but Shakira's voice and attitude make it all feel cohesive. SHE WOLF's title track, with its New Wave synth-pop sound and characteristically off-center lyrics ("darling it is no joke, this is lycanthropy") is already a multi-format smash in both English and Spanish ("Loba") versions.
“This was a sonic experimental trip. I wanted to play around with electronica, beats, synthesizers and I began to research folk from other countries looking for new influences that allowed me to combine electronics with world sounds, tambourines, clarinets, oriental and Hindu music, dancehall, etc.,” she has said. “You never know the final destination of a creative project, but from the beginning I wanted to make sure that this album had a very strong foundation. I wanted it to be very bass-driven, and to make sure the kicks hit really hard.”
During her fifteen-year career, Shakira has always been fearless in blending musical genres and sounds; in concert, she moves easily from belly-dancing to shouting out covers of AC/DC and Aerosmith songs. Recording sessions for SHE WOLF circled the globe, taking Shakira from New York to Paris, from Cairo to the Bahamas, and saw her cut dozens of songs before settling on a final album.
Shakira has said that she considers both "She Wolf" and its ultra-sexy video, “symbolic of the woman of our time, who knows what she wants and defends her individual liberties with teeth and claws, who rebels against the limitations that society and our own culture places on her." Indeed, though the album is geared for dancing, and devoted largely to matters of the heart and the bedroom, a deeper theme is also apparent in many of the songs, which examine issues of identity and role-playing. "My music always reflects my state of mind," she has said. “I’m in a more liberated place right now. I feel more solid as a person, as a woman.”
This sense of artistic exploration is no surprise coming from a woman who began writing songs at the age of eight, learned to speak English by studying the work of Bob Dylan, Leonard Cohen, and Walt Whitman, and took history classes at UCLA during her break between albums. The compassionate side of Shakira is most obvious in the remarkable work of her Pies Descalzos (Barefoot) Foundation, which she started at the age of 18 and has now opened it’s fifth school. The foundation currently provides education and nutrition to over six thousand impoverished children in Colombia and is working to expand its work to other countries.
"We shouldn’t think of this as charity” she said “every child has talent to be developed and the potential to become a productive member of society. Education is a powerful tool to unlock those talents—and to break the cycle of poverty that too often traps them.” Shakira has also become a leading advocate for universal education, speaking to world leaders on the topic and advocating policy change to governments around the world.
Over the course of her career, Grammy winner Shakira has sold close to fifty million albums. Her collaborations with such stars as Beyonce and Alejandro Sanz have helped keep her audience expanding continually. She is the only artist from South America to have a Number One song in the US, and her performance was a highlight of the concert celebrating President Obama's inauguration. She has four of the twenty top-selling hits of the decade, more than any other artist—and that includes 2006's unforgettable "Hips Don't Lie," the biggest-selling single of the 21st Century, which reached the Number One spot in an astonishing 55 countries.
Renowned for her power and presence as a live performer, Shakira is gearing up for the release of a Spanish language album in the coming months, and a world tour in 2010. After dedicating some time to her concerns away from the spotlight, it's clear that Shakira's passion as an artist is as strong as ever, and SHE WOLF stands as proof that she will remain front and center on the global stage for a long time to come.
"When I look back, I can't believe the path behind me," she has said, "I always feel like I haven't really done anything. It's been 20 years, but I still care about my career. I care about the music."
Shakira “She Wolf” (EPIC RECORDS/SONY MUSIC) available Nov 23, 2009
Click here to view the video for "She Wolf"
taken from SHE WOLF (Epic/Sony Music) available Nov 23rd
www.shakira.com
"I'm a little more in touch with my desires," Shakira recently said, "and a little more empowered, or encouraged, to satisfy those desires and set them free."
One of the few truly global superstars of our time, Shakira is extending her reach with her eighth studio album, SHE WOLF. The daring, innovative project is the long-awaited follow-up to 2005's groundbreaking one-two punch comprised of Fijacion Oral, Volume 1 and Oral Fixation, Volume 2, a pair of albums which combined to sell over 12 million copies worldwide and secured the young Colombian-born singer's place among pop music royalty.
SHE WOLF reveals, however, that despite her triumphs on the charts, and her increasingly ambitious off-stage role as an activist and philanthropist, Shakira's heart has stayed close to the dance floor. Co-writing and producing this album, Shakira worked with a diverse range of superstar producers and songwriters—most notably, Pharrell Williams and the Neptunes, but also Wyclef Jean, Timbaland and John Hill —she has created an irresistible set of deceptively rich, club-ready tracks.
"My biggest motivation was to make an album that people could just have fun with, and forget about their troubles," she recently said. "Now I can use music for the purpose it's created for—to amuse and entertain people, and also express other feelings, but things that are more personal."
Her musical style can be called “pop fusion,” characterized by her eclectic tastes, from Middle Eastern beats to heavy metal guitars—and new songs like the slinky, percussive "Long Time" or the rocked-up kiss-off "Mon Amour" illustrate her commitment to remaining a sonic omnivore. It's a long way from the folk-tinged intro of "Gypsy" to the full-on disco breaks of "Men In This Town" or her work with Hossam Ramzy of Led Zeppelin’s Kashmir fame arranging the Egyptian orchestra on “Why Wait,” but Shakira's voice and attitude make it all feel cohesive. SHE WOLF's title track, with its New Wave synth-pop sound and characteristically off-center lyrics ("darling it is no joke, this is lycanthropy") is already a multi-format smash in both English and Spanish ("Loba") versions.
“This was a sonic experimental trip. I wanted to play around with electronica, beats, synthesizers and I began to research folk from other countries looking for new influences that allowed me to combine electronics with world sounds, tambourines, clarinets, oriental and Hindu music, dancehall, etc.,” she has said. “You never know the final destination of a creative project, but from the beginning I wanted to make sure that this album had a very strong foundation. I wanted it to be very bass-driven, and to make sure the kicks hit really hard.”
During her fifteen-year career, Shakira has always been fearless in blending musical genres and sounds; in concert, she moves easily from belly-dancing to shouting out covers of AC/DC and Aerosmith songs. Recording sessions for SHE WOLF circled the globe, taking Shakira from New York to Paris, from Cairo to the Bahamas, and saw her cut dozens of songs before settling on a final album.
Shakira has said that she considers both "She Wolf" and its ultra-sexy video, “symbolic of the woman of our time, who knows what she wants and defends her individual liberties with teeth and claws, who rebels against the limitations that society and our own culture places on her." Indeed, though the album is geared for dancing, and devoted largely to matters of the heart and the bedroom, a deeper theme is also apparent in many of the songs, which examine issues of identity and role-playing. "My music always reflects my state of mind," she has said. “I’m in a more liberated place right now. I feel more solid as a person, as a woman.”
This sense of artistic exploration is no surprise coming from a woman who began writing songs at the age of eight, learned to speak English by studying the work of Bob Dylan, Leonard Cohen, and Walt Whitman, and took history classes at UCLA during her break between albums. The compassionate side of Shakira is most obvious in the remarkable work of her Pies Descalzos (Barefoot) Foundation, which she started at the age of 18 and has now opened it’s fifth school. The foundation currently provides education and nutrition to over six thousand impoverished children in Colombia and is working to expand its work to other countries.
"We shouldn’t think of this as charity” she said “every child has talent to be developed and the potential to become a productive member of society. Education is a powerful tool to unlock those talents—and to break the cycle of poverty that too often traps them.” Shakira has also become a leading advocate for universal education, speaking to world leaders on the topic and advocating policy change to governments around the world.
Over the course of her career, Grammy winner Shakira has sold close to fifty million albums. Her collaborations with such stars as Beyonce and Alejandro Sanz have helped keep her audience expanding continually. She is the only artist from South America to have a Number One song in the US, and her performance was a highlight of the concert celebrating President Obama's inauguration. She has four of the twenty top-selling hits of the decade, more than any other artist—and that includes 2006's unforgettable "Hips Don't Lie," the biggest-selling single of the 21st Century, which reached the Number One spot in an astonishing 55 countries.
Renowned for her power and presence as a live performer, Shakira is gearing up for the release of a Spanish language album in the coming months, and a world tour in 2010. After dedicating some time to her concerns away from the spotlight, it's clear that Shakira's passion as an artist is as strong as ever, and SHE WOLF stands as proof that she will remain front and center on the global stage for a long time to come.
"When I look back, I can't believe the path behind me," she has said, "I always feel like I haven't really done anything. It's been 20 years, but I still care about my career. I care about the music."
Shakira “She Wolf” (EPIC RECORDS/SONY MUSIC) available Nov 23, 2009
Click here to view the video for "She Wolf"
taken from SHE WOLF (Epic/Sony Music) available Nov 23rd
www.shakira.com
Lady Gaga: The Fame Monster
LADY GAGA RETURNS WITH 8 NEW SONGS ON THE FAME MONSTER
Lady Gaga will release The Fame Monster on Nov 23rd. The album will include the 4 million-selling album The Fame, along with eight entirely new songs. The Fame Monster (Streamline/KonLive/Cherrytree/Interscope Records), deals with the seamier side of fame, as experienced by Gaga over the course of her last history-making year.
Says Lady Gaga, "On The Fame Monster, I wrote about everything I didn't write on The Fame. While traveling the world for two years, I've encountered several monsters, each represented by a different song on the new record: my ‘Fear of Sex Monster,’ my ‘Fear of Alcohol Monster,’ my ‘Fear of Love Monster,’ my ‘Fear of Death Monster,’ my ‘Fear of Loneliness Monster,’ etc.”
“I spent a lot of nights in Eastern Europe, and this album is a pop experimentation with industrial/Goth beats, 90's dance melodies, an obsession with the lyrical genius of 80's melancholic pop, and the runway. I wrote while watching muted fashion shows and I am compelled to say my music was scored for them. I also composed a ballad for the album, ‘Speechless,’ a song for my father, and it's my favorite work of all. I wrote every piece on the road - no songs about money, no songs about fame. I wrote it for my fans, so I wrote everything in between."
The Fame Monster is a two-disc set with artwork shot by renowned fashion designer and photographer Hedi Slimane. The release will see two iconic covers – one limited to an initial run of 10,000 copies. A super-deluxe magazine-style edition will release on December 15th just in time for the holidays, including extra elements and never-before-seen photos of Lady Gaga: from the artist herself and loyal fans worldwide.
“Bad Romance” is the first club-banging single produced by RedOne. Included in the eight new songs is a duet with superstar Beyonce, the Rodney Jerkins-produced “Telephone.” Other collaborators on the new tracks include Teddy Riley, Rodney Jerkins, Ron Fair and Fernando Garibay.
www.ladygaga.com
Lady Gaga The Fame Monster (Streamline/KonLive/Cherrytree/Interscope Records) available Nov 23rd
*Also available “The Fame Monster” (standard version)
Watch the video for "Bad Romance" by Lady Gaga
Taken from The Fame Monster" (Streamline/KonLive/Cherrytree/Interscope Records) available Nov 23rd
Lady Gaga will release The Fame Monster on Nov 23rd. The album will include the 4 million-selling album The Fame, along with eight entirely new songs. The Fame Monster (Streamline/KonLive/Cherrytree/Interscope Records), deals with the seamier side of fame, as experienced by Gaga over the course of her last history-making year.
Says Lady Gaga, "On The Fame Monster, I wrote about everything I didn't write on The Fame. While traveling the world for two years, I've encountered several monsters, each represented by a different song on the new record: my ‘Fear of Sex Monster,’ my ‘Fear of Alcohol Monster,’ my ‘Fear of Love Monster,’ my ‘Fear of Death Monster,’ my ‘Fear of Loneliness Monster,’ etc.”
“I spent a lot of nights in Eastern Europe, and this album is a pop experimentation with industrial/Goth beats, 90's dance melodies, an obsession with the lyrical genius of 80's melancholic pop, and the runway. I wrote while watching muted fashion shows and I am compelled to say my music was scored for them. I also composed a ballad for the album, ‘Speechless,’ a song for my father, and it's my favorite work of all. I wrote every piece on the road - no songs about money, no songs about fame. I wrote it for my fans, so I wrote everything in between."
The Fame Monster is a two-disc set with artwork shot by renowned fashion designer and photographer Hedi Slimane. The release will see two iconic covers – one limited to an initial run of 10,000 copies. A super-deluxe magazine-style edition will release on December 15th just in time for the holidays, including extra elements and never-before-seen photos of Lady Gaga: from the artist herself and loyal fans worldwide.
“Bad Romance” is the first club-banging single produced by RedOne. Included in the eight new songs is a duet with superstar Beyonce, the Rodney Jerkins-produced “Telephone.” Other collaborators on the new tracks include Teddy Riley, Rodney Jerkins, Ron Fair and Fernando Garibay.
www.ladygaga.com
Lady Gaga The Fame Monster (Streamline/KonLive/Cherrytree/Interscope Records) available Nov 23rd
*Also available “The Fame Monster” (standard version)
Watch the video for "Bad Romance" by Lady Gaga
Taken from The Fame Monster" (Streamline/KonLive/Cherrytree/Interscope Records) available Nov 23rd
Rihanna: Rated R
THE WAIT IS OVA!!!
RIHANNA’s NEW ALBUM - RATED R - HITS MONDAY, NOV. 23rd
“Russian Roulette,” first new single pick –written by Ne-Yo – launched worldwide Oct. 20th on radio and on official Rihanna website
Long-awaited follow-up to 2007’s worldwide multi-platinum Good Girl Gone Bad
The wait is ova – for one of the most hotly anticipated new albums in recent history, as multi-platinum, award-winning Def Jam recording artist Rihanna announces the completion of her fourth original studio album, Rated R, scheduled to arrive in the physical and digital marketplace on Monday, November 23rd.
Rated R’s first single pick, “Russian Roulette” will be launched worldwide on http://rihannanow.com. The “Russian Roulette” video is directed by Anthony Mandler
“Russian Roulette” was written and produced by fellow Def Jam artist Ne-Yo, whose long track record with Rihanna includes the #1 hit “Unfaithful” (2006, from A Girl Like Me), their Top 10 duet “Hate That I Love You” (2007, from Good Girl Gone Bad), and #1 pop/ #1 R&B “Take A Bow” (2008, from Good Girl Gone Bad: Reloaded). In addition to Ne-Yo, other producers and writers on Rihanna’s new album include the team of The-Dream and Tricky Stewart, Chase & Status, Stargate, Justin Timberlake and more.
Rated R is the long-awaited follow-up to Good Girl Gone Bad (May 2007), which contained the non-stop string of hit singles that began with the MTV VMA and Grammy Award-winning global #1 hit “Umbrella” (featuring Jay-Z), then “Shut Up and Drive,” “Hate That I Love You” (featuring Ne-Yo), and “Don't Stop the Music.” Good Girl Gone Bad spent 98 total weeks on the Soundscan chart, earned cumulative sales of more than 36-times platinum in at least 20 territories around the world, and spun off the CD+DVD package Good Girl Gone Bad: Reloaded (January 2009) – which continued the string of hits with the #1 “Take A Bow,” and the #1 “Disturbia.”
Good Girl Gone Bad was the third album release in less than two years by the 21-year old Barbados native Rihanna. It followed-up 2006’s RIAA platinum A Girl Like Me, which contained the back-to-back hits, “S.O.S.” and “Unfaithful”; and her RIAA gold debut from 2005, Music Of the Sun, featuring the world-wide smash, “Pon De Replay.”
Check out the video for “Russian Roulette”
taken from RATED R (Def Jam Records) available Nov 23rd
RIHANNA’s NEW ALBUM - RATED R - HITS MONDAY, NOV. 23rd
“Russian Roulette,” first new single pick –written by Ne-Yo – launched worldwide Oct. 20th on radio and on official Rihanna website
Long-awaited follow-up to 2007’s worldwide multi-platinum Good Girl Gone Bad
The wait is ova – for one of the most hotly anticipated new albums in recent history, as multi-platinum, award-winning Def Jam recording artist Rihanna announces the completion of her fourth original studio album, Rated R, scheduled to arrive in the physical and digital marketplace on Monday, November 23rd.
Rated R’s first single pick, “Russian Roulette” will be launched worldwide on http://rihannanow.com. The “Russian Roulette” video is directed by Anthony Mandler
“Russian Roulette” was written and produced by fellow Def Jam artist Ne-Yo, whose long track record with Rihanna includes the #1 hit “Unfaithful” (2006, from A Girl Like Me), their Top 10 duet “Hate That I Love You” (2007, from Good Girl Gone Bad), and #1 pop/ #1 R&B “Take A Bow” (2008, from Good Girl Gone Bad: Reloaded). In addition to Ne-Yo, other producers and writers on Rihanna’s new album include the team of The-Dream and Tricky Stewart, Chase & Status, Stargate, Justin Timberlake and more.
Rated R is the long-awaited follow-up to Good Girl Gone Bad (May 2007), which contained the non-stop string of hit singles that began with the MTV VMA and Grammy Award-winning global #1 hit “Umbrella” (featuring Jay-Z), then “Shut Up and Drive,” “Hate That I Love You” (featuring Ne-Yo), and “Don't Stop the Music.” Good Girl Gone Bad spent 98 total weeks on the Soundscan chart, earned cumulative sales of more than 36-times platinum in at least 20 territories around the world, and spun off the CD+DVD package Good Girl Gone Bad: Reloaded (January 2009) – which continued the string of hits with the #1 “Take A Bow,” and the #1 “Disturbia.”
Good Girl Gone Bad was the third album release in less than two years by the 21-year old Barbados native Rihanna. It followed-up 2006’s RIAA platinum A Girl Like Me, which contained the back-to-back hits, “S.O.S.” and “Unfaithful”; and her RIAA gold debut from 2005, Music Of the Sun, featuring the world-wide smash, “Pon De Replay.”
Check out the video for “Russian Roulette”
taken from RATED R (Def Jam Records) available Nov 23rd
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